It is the first absolute and autonomous specimen.
It is something already written in our unconscious before it is read with the characteristics that writing has in the common language.
For Jung, there are 12 archetypes and they are contained in the collective unconscious: they are never accessible, but they surface in figurative language, in myths, in oneiric symbols. They are the 12 forms of being.

The daughter of a Sardinian weaver, Caterina Frongia experiments with the craftsmanship of her homeland along with a more contemporary perspective on weaving. Textile writing is the common denominator between old and new works, it is the idea that becomes form, the metaphor that turns into matter. On her rugs, stories come to life in many forms, through words, colors, symbols. Exploring Caterina's work is like diving into her personal diary, full of images and stories.
In this case, however, it is not an anthology of other people's stories encrypted and yet to be deciphered, but the typing of a sincere laying bare of the artist's personal stories.